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The Naming of Things: a group exhibition curated by Castlefield Gallery Associate Bryony Dawson
The Annotated Reader: A publication-as-exhibition and exhibition-as-publication conceived by Ryan Gander and Jonathan P. Watts
Originally planned to be exhibited at the gallery in May 2020, due to Covid 19 they have been rescheduled for 2021.
To mark the occasion of what would have been their public preview our curator Matthew Pendergast invited Bryony and Ryan to share some questions and thoughts with each other for a podcast available HERE.
You can also listen to it on Spotify.
The Naming of Things features the work of: Sriwhana Spong, Lydia Davies, Jeanne Constantin, Sarah Tripp, James McAleer and Bryony Dawson, Charlie Godet Thomas and Jessica Higgins.
Language has always been in a state of flux, but the acceleration of change led by new media platforms and formats dramatically changes the way that language is written, read and understood. The artists chosen for this exhibition embrace this unreliability by using and mis-using language as a way to imagine architectural spaces and alternative viewpoints. With works involving text, audio, sculpture and film they explore the semiotic relationships between images, sounds and words.
The Naming of Things was selected from proposals submitted by Castlefield Gallery Associates by guest selector Ryan Gander and Castlefield Gallery Curator Matthew Pendergast.
The Annotated Reader
Imagine you’ve missed the last train. Is there one piece of writing that you would want with you for company in the small hours? Perhaps this text transformed your thinking. It might be a mantra continually returned to. Perhaps it is a text you felt should be read by younger generations or that you wish you’d encountered as a student.
Artist Ryan Gander and critic and writer Jonathan P. Watts put this question to a range of creatives, artists, academics, writers, musicians, and designers, inviting them to suggest such a piece of writing and then annotate it. The annotations add a further layer to the texts, demonstrating and suggesting ways of reading, displaying thought, complicating the relationship between image and text, reading and looking.
With almost 300 contributors including Marina Abramović, Art & Language, Paul Clinton, Tom Godfrey, Ragnar Kjartansson, Sarah Lucas, Alistair Hudson and Hans Ulrich Obrist it forms an educational resource that can be used as a teaching aid for future generations. The Annotated Reader is a curriculum, an index and an ethics
Originally programmed for July 2020, a solo exhibition of work by Nicola Ellis will open at Castlefield Gallery in March 2021. To mark the occasion of what would have been the public preview, on Thursday 2 July we are releasing: a podcast with Ellis and Matthew Pendergast (Castlefield Gallery Curator and Deputy Director) talking about Ellis’s work and artist placement at Ritherdon & Co Ltd; a sound piece produced in collaboration with Manoli Moriaty and an e-publication featuring photographs and paintings by Ellis, which are available here:
– Podcast: Anchor, Spotify.
– Sound Piece: Incidental Rendition. Please Note: this sound piece is composed for headphone listening. Two essays by each artist which accompany the piece are available here Nicola Ellis, and here Manoli Moriaty.
– E-publication Issuu link.
Ellis’s work includes site responsive installation, sculpture, painting, drawing, video and photography. Recent projects have seen her operating within existing workplace ecosystems; making artworks which respond to the relationships between people, materials and processes. Some works feature loaned or exchanged waste materials, which are temporarily transformed, often into large scale sculpture.
The exhibition of work by Ellis at Castlefield Gallery will mark the end of her two year placement at Ritherdon & Co Ltd: a manufacturer of steel enclosures based in Darwen, Lancashire. Following a short Art in Manufacturing (festivalofmaking.co.uk) residency in 2018, Ellis discussed continuing her placement with Managing Director Ben Ritherdon and after securing Arts Council England funding was welcomed back to the factory in February 2019. Throughout the Return to Ritherdon project she has been observing, participating in and at times disrupting the ecosystem of the factory and its associated business operations. New works and methodologies have been informed in particular by studying the application of Lean Manufacturing philosophy – a philosophy aimed at the reduction of waste in the form of time, energy or materials.
The nature of Ellis’s project resonates with the activity of the Artist Placement Group (A.P.G.). Founded in 1966, the organisation sought to reposition the role of the artist within a wider social context, including government and commerce. A.P.G material at Tate Archive has informed Ellis’s thinking throughout the project.
Ultimately Return to Ritherdon has created opportunities for an artist and a manufacturer to witness each other’s work in the factory, studio, gallery and respective communities. Site-responsive works are being developed for the exhibition at Castlefield Gallery which will continue this process, connecting the factory and the gallery space and sharing the project with wider audiences.
Castlefield Gallery has supported and followed Ellis’s work over several years. She has taken part in numerous exhibitions at the gallery including: LAUNCH PAD: Meanwhile See This(2012) , Nicola Ellis & Aura Satz(2013) and Oh, it is easy to be clever if one does not know all these questions continues at DOX Centre for Contemporary Arts(2018). In 2019 we celebrated our 35th anniversary with the exhibition No Particular Place to Go? 35 years of sculpture at Castlefield Gallery which included work by Ellis and later that year we took her work to the Manchester Contemporary Art Fair where Dead powder series: Yellow, (2019) was selected by The Manchester Contemporary Art Fund for acquisition into the public collection of Manchester Art Gallery, where it will go on display later this year.
Special thanks to: the Ronnie Duncan Art Foundation and Castlefield Gallery Commissioning Patron Prof. Chris Klingenberg.