Support artists’ careers and talent development across the Greater Manchester City Region, North West and beyond.
EXHIBITION & EVENTS ARCHIVE
Andrzej Jackowski makes paintings of great beauty that have also profound depth. Recurring images appear: the hut on wheels, the upturned boat, the boat that contains a landscape within it, giant heads on their side, the ‘Brides’ series, with their emphasis on the female spirituality.
Clyde Hopkins has exhibited in many major one person and group shows since his emergence as one of Britain’s most interesting abstract painters in the late 1970’s.
During the 60’s and 70’s Herbert was involved with the avant garde but became uneasy about being, as he perceived it deliberately obscure. To escape from the confines of ‘art’ or impersonal self- expression he chose as subject matter universally recognised Biblical stories.
In 1987 the South Bank Board commissioned the painter Dennis Creffield to draw all 26 medieval cathedrals of England. From February until November 1987 Creffield travelled more than 10,000 miles in a motor caravan, drawing in all weathers, and rising early to avoid the tourists.
The Castlefield Gallery is mounting the first one-man exhibition of FRANK BOWLING’s work to be held in the North West. Although he has lived, worked and exhibited widely in America where his work is well known (especially in New York where he was awarded the American Guggenheim Fellowship twice), Bowling has not attained the same level of recognition in this country.
Castlefield Gallery rather sticks its neck out in the claims it makes for artists who are given exhibitions – that when selecting shows what it seeks is work of the highest quality. The large, brightly coloured abstract paintings and drawings in this exhibition are no exception.
Eileen Cooper’s large oil paintings and charcoal drawings deal incessantly with personal relationships. She says that her ideas tend to cone out in an unpredictable way through the activity of painting, but there is a fascination with the bond between mother and child through out her work.
Vanessa Jackson often sounds more like a sculptor than a painter when talking about her own work. She refers to ‘whittling away’, ‘carving out’, and ‘polishing into existence’, when describing how the dynamic shapes evolve. She enjoys doing woodblock prints for the reason that in these, the compositions really can be carved out.